Texture Synthesis - Paper Copilot

NeRF-Texture: Texture Synthesis With Neural Radiance Fields

Yi-Hua Huang, Yan-Pei Cao, Yu-Kun Lai, Ying Shan, Lin Gao

University of Chinese Academy of Sciences; ARC Lab, Tencent PCG; Cardiff University

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Texture synthesis is a fundamental problem in computer graphics that would benefit various applications. Existing methods are effective in handling 2D image textures. In contrast, many real-world textures contain meso-structure in the 3D geometry space, such as grass, leaves, and fabrics, which cannot be effectively modeled using only 2D image textures. We propose a novel texture synthesis method with Neural Radiance Fields (NeRF) to capture and synthesize textures from given multi-view images. In the proposed NeRF texture representation, a scene with fine geometric details is disentangled into the meso-structure textures and the underlying base shape. This allows textures with meso-structure to be effectively learned as latent features situated on the base shape, which are fed into a NeRF decoder trained simultaneously to represent the rich view-dependent appearance. Using this implicit representation, we can synthesize NeRF-based textures through patch matching of latent features. However, inconsistencies between the metrics of the reconstructed content space and the latent feature space may compromise the synthesis quality. To enhance matching performance, we further regularize the distribution of latent features by incorporating a clustering constraint. Experimental results and evaluations demonstrate the effectiveness of our approach.

Related Works

Neural Rendering; Texture Synthesis

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NeRF-Tex

Learning a Neural 3D Texture Space from 2D Exemplars

Philipp Henzler, Niloy J. Mitra, Tobias Ritschel

University College London; Adobe Research

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We propose a generative model of 2D and 3D natural textures with diversity, visual fidelity and at high computational efficiency. This is enabled by a family of methods that extend ideas from classic stochastic procedural texturing (Perlin noise) to learned, deep, non-linearities. The key idea is a hard-coded, tunable and differentiable step that feeds multiple transformed random 2D or 3D fields into an MLP that can be sampled over infinite domains. Our model encodes all exemplars from a diverse set of textures without a need to be re-trained for each exemplar. Applications include texture interpolation, and learning 3D textures from 2D exemplars.

A Generative Model for Texture Synthesis based on Optimal Transport between Feature Distributions

Antoine Houdard, Arthur Leclaire, Nicolas Papadakis, Julien Rabin

Université de Bordeaux; Université de Normandie

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We propose GOTEX, a general framework for texture synthesis by optimization that constrains the statistical distribution of local features. While our model encompasses several existing texture models, we focus on the case where the comparison between feature distributions relies on optimal transport distances. We show that the semi-dual formulation of optimal transport allows to control the distribution of various possible features, even if these features live in a high-dimensional space. We then study the resulting minimax optimization problem, which corresponds to a Wasserstein generative model, for which the inner concave maximization problem can be solved with standard stochastic gradient methods. The alternate optimization algorithm is shown to be versatile in terms of applications, features and architecture; in particular it allows to produce high-quality synthesized textures with different sets of features. We analyze the results obtained by constraining the distribution of patches or the distribution of responses to a pre-learned VGG neural network. We show that the patch representation can retrieve the desired textural aspect in a more precise manner. We also provide a detailed comparison with state-of-the-art texture synthesis methods. The GOTEX model based on patch features is also adapted to texture inpainting and texture interpolation. Finally, we show how to use our framework to learn a feed-forward neural network that can synthesize on-the-fly new textures of arbitrary size in a very fast manner. Experimental results and comparisons with the mainstream methods from the literature illustrate the relevance of the generative models learned with GOTEX.

Two-Stream Convolutional Networks for Dynamic Texture Synthesis

Matthew Tesfaldet, Marcus A. Brubaker, Konstantinos G. Derpanis

York University; Pyerson University

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We introduce a two-stream model for dynamic texture synthesis. Our model is based on pre-trained convolutional networks (ConvNets) that target two independent tasks: (i) object recognition, and (ii) optical flow prediction. Given an input dynamic texture, statistics of filter responses from the object recognition ConvNet encapsulate the per-frame appearance of the input texture, while statistics of filter responses from the optical flow ConvNet model its dynamics. To generate a novel texture, a randomly initialized input sequence is optimized to match the feature statistics from each stream of an example texture. Inspired by recent work on image style transfer and enabled by the two-stream model, we also apply the synthesis approach to combine the texture appearance from one texture with the dynamics of another to generate entirely novel dynamic textures. We show that our approach generates novel, high quality samples that match both the framewise appearance and temporal evolution of input texture. Finally, we quantitatively evaluate our texture synthesis approach with a thorough user study.

U-Attention to Textures: Hierarchical Hourglass Vision Transformer for Universal Texture Synthesis

Shouchang Guo, Valentin Deschaintre, Douglas Noll, Arthur Roullier

University of Michigan, Ann Arbor; Adobe Research

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We present a novel U-Attention vision Transformer for universal texture synthesis. We exploit the natural long-range dependencies enabled by the attention mechanism to allow our approach to synthesize diverse textures while preserving their structures in a single inference. We propose a hierarchical hourglass backbone that attends to the global structure and performs patch mapping at varying scales in a coarse-to-fine-to-coarse stream. Completed by skip connection and convolution designs that propagate and fuse information at different scales, our hierarchical U-Attention architecture unifies attention to features from macro structures to micro details, and progressively refines synthesis results at successive stages. Our method achieves stronger 2$\times$ synthesis than previous work on both stochastic and structured textures while generalizing to unseen textures without fine-tuning. Ablation studies demonstrate the effectiveness of each component of our architecture.

Related Works

Algorithmic texture synthesis; Deep-learning based texture synthesis; Transformers for images

TEXTure: Text-Guided Texturing of 3D Shapes

Elad Richardson, Gal Metzer, Yuval Alaluf, Raja Giryes, Daniel Cohen-Or

Tel Aviv University

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In this paper, we present TEXTure, a novel method for text-guided generation, editing, and transfer of textures for 3D shapes. Leveraging a pretrained depth-to-image diffusion model, TEXTure applies an iterative scheme that paints a 3D model from different viewpoints. Yet, while depth-to-image models can create plausible textures from a single viewpoint, the stochastic nature of the generation process can cause many inconsistencies when texturing an entire 3D object. To tackle these problems, we dynamically define a trimap partitioning of the rendered image into three progression states, and present a novel elaborated diffusion sampling process that uses this trimap representation to generate seamless textures from different views. We then show that one can transfer the generated texture maps to new 3D geometries without requiring explicit surface-to-surface mapping, as well as extract semantic textures from a set of images without requiring any explicit reconstruction. Finally, we show that TEXTure can be used to not only generate new textures but also edit and refine existing textures using either a text prompt or user-provided scribbles. We demonstrate that our TEXTuring method excels at generating, transferring, and editing textures through extensive evaluation, and further close the gap between 2D image generation and 3D texturing.

Text2Tex: Text-driven Texture Synthesis via Diffusion Models

Dave Zhenyu Chen, Yawar Siddiqui, Hsin-Ying Lee, Sergey Tulyakov, Matthias Nie

Technical University of Munich; Snap Research

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We present Text2Tex, a novel method for generating high-quality textures for 3D meshes from the given text prompts. Our method incorporates inpainting into a pre-trained depth-aware image diffusion model to progressively synthesize high resolution partial textures from multiple viewpoints. To avoid accumulating inconsistent and stretched artifacts across views, we dynamically segment the rendered view into a generation mask, which represents the generation status of each visible texel. This partitioned view representation guides the depth-aware inpainting model to generate and update partial textures for the corresponding regions. Furthermore, we propose an automatic view sequence generation scheme to determine the next best view for updating the partial texture. Extensive experiments demonstrate that our method significantly outperforms the existing text-driven approaches and GAN-based methods.

Neural FFTs for Universal Texture Image Synthesis

Morteza Mardani, Guilin Liu, Aysegul Dundar, Shiqiu Liu, Andrew Tao, Bryan Catanzaro

NVIDIA

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Synthesizing larger texture images from a smaller exemplar is an important task in graphics and vision. The conventional CNNs, recently adopted for synthesis, require to train and test on the same set of images and fail to generalize to unseen images. This is mainly because those CNNs fully rely on convolutional and upsampling layers that operate locally and not suitable for a task as global as texture synthesis. In this work, inspired by the repetitive nature of texture patterns, we find that texture synthesis can be viewed as (local) upsampling in the Fast Fourier Transform (FFT) domain. However, FFT of natural images exhibits high dynamic range and lacks local correlations. Therefore, to train CNNs we design a framework to perform FFT upsampling in feature space using deformable convolutions. Such design allows our framework to generalize to unseen images, and synthesize textures in a single pass. Extensive evaluations confirm that our method achieves state-of-the-art performance both quantitatively and qualitatively.

Transposer: Universal Texture Synthesis Using Feature Maps as Transposed Convolution Filter

Guilin Liu, Rohan Taori, Ting-Chun Wang, Zhiding Yu, Shiqiu Liu, Fitsum A. Reda, Karan Sapra, Andrew Tao, Bryan Catanzaro

NVIDIA; UC Berkeley

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Conventional CNNs for texture synthesis consist of a sequence of (de)-convolution and up/down-sampling layers, where each layer operates locally and lacks the ability to capture the long-term structural dependency required by texture synthesis. Thus, they often simply enlarge the input texture, rather than perform reasonable synthesis. As a compromise, many recent methods sacrifice generalizability by training and testing on the same single (or fixed set of) texture image(s), resulting in huge re-training time costs for unseen images. In this work, based on the discovery that the assembling/stitching operation in traditional texture synthesis is analogous to a transposed convolution operation, we propose a novel way of using transposed convolution operation. Specifically, we directly treat the whole encoded feature map of the input texture as transposed convolution filters and the features' self-similarity map, which captures the auto-correlation information, as input to the transposed convolution. Such a design allows our framework, once trained, to be generalizable to perform synthesis of unseen textures with a single forward pass in nearly real-time. Our method achieves state-of-the-art texture synthesis quality based on various metrics. While self-similarity helps preserve the input textures' regular structural patterns, our framework can also take random noise maps for irregular input textures instead of self-similarity maps as transposed convolution inputs. It allows to get more diverse results as well as generate arbitrarily large texture outputs by directly sampling large noise maps in a single pass as well.

Non-Stationary Texture Synthesis by Adversarial Expansion

Yang Zhou, Zhen Zhu, Xiang Bai, Dani Lischinski, Daniel Cohen-Or, Hui Huang

Shenzhen University; Huazhong University of Science & Technology; The Hebrew University of Jerusalem; Tel Aviv University

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The real world exhibits an abundance of non-stationary textures. Examples include textures with large-scale structures, as well as spatially variant and inhomogeneous textures. While existing example-based texture synthesis methods can cope well with stationary textures, non-stationary textures still pose a considerable challenge, which remains unresolved. In this paper, we propose a new approach for example-based non-stationary texture synthesis. Our approach uses a generative adversarial network (GAN), trained to double the spatial extent of texture blocks extracted from a specific texture exemplar. Once trained, the fully convolutional generator is able to expand the size of the entire exemplar, as well as of any of its sub-blocks. We demonstrate that this conceptually simple approach is highly effective for capturing large-scale structures, as well as other non-stationary attributes of the input exemplar. As a result, it can cope with challenging textures, which, to our knowledge, no other existing method can handle.

Category: Texture Synthesis

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